SMITH: I remember when I first saw your work outside. For me it was really strange because, as an artist, I never thought about making things outside. Other artists were working with language, but it felt really radical to put it outside at the time.
HOLZER: I wasn’t sure I was an artist, so I thought maybe I just was throwing ideas out for people to consider. That took some of the pressure off. [laughs] The first street pieces were black-and-white posters with the Truisms, one-liners on many subjects written from multiple points of view. I went around late at night to paste these posters downtown. I put the next series of posters outside, too, the Inflammatory Essays.